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James Conlon

Florence, Italy

UPCOMING

Between Italian Roots and American Wings

Title: James Conlon: Between Italian Roots and American Wings
Duration: 30 minutes
Genre: Musical Documentary / Portrait

Production: Orchestra della Toscana
Co-Producers: Andrea Antonelli, Edoardo Zucchetti
Executive Production: HEYOKArts
Concept & Direction: Edoardo Zucchetti
Original Testimony: James Conlon
Featuring: ORT’s Professors
Camera: Main: Edoardo Zucchetti, Second: Simone Cariello
Interview: Simone Petracchi
Editing: Andrea Londretti
Music: Live performance by Orchestra della Toscana
Photography: Marco Borrelli

“Every opportunity to see other maestros, to meet other maestros, to ask, to watch, to absorb as much as possible. I was in love with classical music. I had no eyes for anything else; it was classical, classical, classical, almost like a believer following the ritual in which they believe.”

– James Conlon

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F.LIGHTS UP

Public Event

Florence, Italy

December, 2025

December, 2025

Space: Piazza della Signoria, Ponte Vecchio, San Paolino
Promoter: City of Florence
Production: MUS.E

F.LIGHTS UP is a large-scale urban light programme developed by the City of Florence in collaboration with Fondazione MUS.E, with support from the Ministry of Tourism’s UNESCO Sites and Creative Cities Fund and local institutional partners.

The project transforms the city into a visual laboratory, where the façades of its most iconic monuments become three-dimensional surfaces for light-based interventions. Through video mapping and light installations, digital technologies enter into dialogue with architectural heritage, combining innovation with traditional craftsmanship.

Key sites include Ponte Vecchio, Palazzo Vecchio, and the Church of San Paolino, alongside installations in Piazza Santa Maria Novella, Piazza San Lorenzo, the Chamber of Commerce, and Palazzo Medici Riccardi. Across the Christmas period, the programme redefines the urban landscape, engaging both residents and visitors through a continuous interplay of light, space, and perception.

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Orfeo ed Euridice

Opera

Florence, Italy

March, 2018

March, 2018

Space: Scuderie di Palazzo Corsini
Production: New Generation Festival

Author: Christoph Willibald Gluck
Musical Direction: Max Fane

Cast: Orfeo — Elspeth Marrow, Euridice — Sophie Gallagher, Amor — Xavier Hetherington, Chorus (SATB Quartet) — Maria Salvini, Olympia Hetherington, TBC, Gabriel Alexander

Orchestra:
Piano — Stefano Marzanni, String Quartet — Laure Chan, Katarina Dordevic, TBC, Iain Hall

Creative Team:
Director — Maximilian Fane
Direction — Edoardo Zucchetti
Producer — Sophie Gallagher
Tour Manager & Press — Max Wilson
Costume Design — Zara Boatto

Photography: Marco Borrelli
Video: Watch

Orfeo ed Euridice by Christoph Willibald Gluck is presented here in a reduced “Fringe” staging, developed for a young, international ensemble as part of the New Generation Festival.

Drawing on the enduring myth of Orpheus and Eurydice—one of the most revisited narratives across artistic disciplines—the production strips the opera of ornamental elements and redundancies, focusing instead on clarity, energy, and immediacy. The result is a compact, 90-minute work designed to engage the audience through the expressive force of a reduced ensemble, a young conductor, and the central voices of Orfeo, Euridice, and Amor.

The staging unfolds in a timeless setting, conceived as a space that reflects all the eras through which the myth has travelled. Within this framework, the production emphasizes imagination and narrative continuity, creating an accessible and direct encounter with the operatic form while maintaining a strong connection to its classical roots.

Presented at Palazzo Corsini al Prato, the work forms part of the New Generation Festival’s broader activity in reinterpreting operatic repertoire for contemporary audiences.

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Presunzione

Theater

Florence, Italy

July, 2015

July, 2015

Two Hearts and a Canadian Tent

Space: Villa Gerini
Production: inQuanto Teatro

Author: Third Angle
Cast: Giacomo Bogani, Diletta Oculisti

Photography: Marco Borrelli
Video: Watch

The work presents a portrait of two lovers far removed from idealized narratives of romance, yet deeply recognizable. It reflects a relationship built not on resolution, but on repetition—where closeness and detachment coexist, and where the difficulty of understanding one another becomes part of the bond itself.

The text is an adaptation of an unpublished contemporary English play, presented here for the first time in Italy as a full production, following a staged reading at the Intercity Festival in Sesto Fiorentino in 2005.

A defining feature of the production is its adaptability. The piece can be staged both indoors and outdoors—in parks, gardens, forests, beaches, lakesides, or riverbanks—making use of natural light and reinforcing its sense of displacement and openness.

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Capodanno a Firenze

Public Event

Florence, Italy

December, 2024

December, 2024

Space: Piazza della Signoria
Promoter: City of Florence
Production: MUS.E

Cast: Lorenzo Baglioni, Mattia Boschi, Nicola Pesaresi, Accademia del Maggio, Deborah Iurato, Giovanni Caccamo, Syria, Mr. Rain, Bowland

Video: Watch

New Year’s in Florence is a city-wide programme of music and performance events celebrating the arrival of the new year across multiple public spaces.

At its center, Piazza della Signoria hosts a main evening of live performance featuring Diodato, alongside a programme that moves between opera, magic, and contemporary music. The event extends across six squares throughout the city, creating a distributed celebration designed to engage different audiences.

In addition to Piazza della Signoria, events take place in Piazza Santissima Annunziata with jazz by Circolo Exwide, in Piazza San Giovanni with gospel choirs curated by Musart, in Piazza Santa Croce with the Orchestra Toscana Classica, in Piazza del Carmine with the pop orchestra of Anfiteatro 2010, and in Piazza Santo Spirito and the Oltrarno district with a travelling marching band by Music Pool.

The programme is promoted by the City of Florence and coordinated by MUS.E, with the support of Toscana Energia.

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Lo specchio magico

Opera

Florence, Italy

May, 2015

May, 2015

Space: Maggio Musicale Fiorentino
Production: Festival del Maggio

Composer: Fabio Vacchi
Librettist: Aldo Nove
Conductor: John Axelrod
Directed and filmed by Edoardo Zucchetti.
Cast: Singers and Choir

Set Design: Moby Dick (street artist)
Photography: Moggi & Contrasto

Lo specchio magico is an Urban Art Dance Opera by Fabio Vacchi, with a libretto by Aldo Nove, premiered at the Maggio Musicale Fiorentino under the direction of John Axelrod.

The work explores the theme of pacifism through a sequence of episodes set across different historical periods, from ancient Greece to the present day. These scenes are connected on stage by the presence of a storyteller, performed by the rapper Millelemmi, and a dancer, creating a continuous narrative structure that moves between music, spoken word, and movement.

The staging is built around a single visual element: a screen onto which graffiti are projected in real time. These are created live outside the theatre by the street artist Marco Tarascio (Moby Dick), responding directly to the music. This process introduces an unexpected visual layer, establishing a dialogue between contemporary urban culture and the formal language of opera.

At the center of the work is the image of a “magic mirror,” a device through which a young boy reveals to four tyrants the possible future of the planet. The opera unfolds as a journey across time and geography, combining historical reflection with a broader meditation on conflict, storytelling, and the possibility of change.

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Girotondo

Theater

Florence, Italy

May, 2015

May, 2015

Space: Carrozzeria abbandonata
Production: Teatro del Mantice

Direction: Edoardo Zucchetti
Cast: Sofia Busia, Archimede Pii, Cinzia Bagni, Davide Arena, Carolina Pezzini, Marco Gargiulo, Alessandra Panzone, Mirco Risaliti, Anastasia Ciullini, Marco Bartolini

Photography: Marco Borrelli
Video: Watch

A staging of Arthur Schnitzler’s Girotondo, structured as a sequence of encounters between pairs of characters, each linked to the next in a continuous chain. Set in a disused workshop, the production follows the original circular form of the text, where each scene connects to the previous and the final encounter returns to the starting point.

Through these successive relationships, the work presents a series of interactions driven primarily by desire and physical attraction. The characters move through different social contexts and roles, yet the dynamics between them remain repetitive, revealing patterns of behavior that do not lead to lasting connection.

The structure of the piece emphasizes continuity and recurrence, highlighting how each encounter mirrors the previous one while shifting perspective through different characters. In this way, the production reflects on the instability of relationships and the difficulty of establishing genuine emotional bonds.

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