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Presunzione

FLORENCE, ITALY

July, 2015

A play about love, vulnerability, and the endless questions that shape life as a couple.

Venue: Villa Gerini
Production: inQuanto Teatro
Author: Third Angle
Stage Director: Edoardo Zucchetti
Cast: Giacomo Bogani, Diletta Oculisti
Photography: Marco Borrelli

Trailer: Watch

Beth and Tom are two thirty-somethings struggling to keep their relationship alive while navigating uncertainty, frustration, and the small absurdities of everyday life. Stressed, imperfect, and disarmingly honest, they retreat into a Canadian tent—a timeless refuge where living together becomes an ironic and emotional game of survival.

Surrounded by camping chairs, folding tables, and one drink too many, their relationship unfolds as an ongoing duel fought with wit, sarcasm, and unexpected tenderness. Far removed from the idealized romances of soap operas and love stories, Beth and Tom offer an authentic portrait of contemporary relationships—one that feels strikingly familiar to us all.

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Girotondo

FLORENCE, ITALY

May, 2022


Venue: Abandoned Auto Repair Workshop
Production: Teatro del Mantice
Author: Arthur Schnitzler
Stage Director: Edoardo Zucchetti
Cast: Sofia Busia, Archimede Pii, Cinzia Bagni, Davide Arena, Carolina Pezzini, Marco Gargiulo, Alessandra Panzone, Mirco Risaliti, Anastasia Ciullini, Marco Bartolini
Photography: Marco Borrelli

Trailer: Watch

“To what extent does a character confess, and when do they begin to draw their own caricature?”

The language of inauthenticity lies at the heart of Arthur Schnitzler’s dramaturgy, shaping the characters’ relationships through relentless repetition and giving the work its unmistakably grotesque tone.

The characters are portrayed in moments of sexual encounter, yet the play’s true focus extends beyond their exhausted psychodramas and the social conventions that define them. Instead, it reveals a deeper and strikingly contemporary contradiction: individuals are no longer overwhelmed by society itself, but by the absence of shared ideals and points of reference, forcing them to retreat into self-created illusions from which they cannot escape without losing their own sense of identity.

The performance unfolds within a vast abandoned auto repair workshop, a symbolic landscape of structures and assemblages where identities are continuously constructed, dismantled and rebuilt. It becomes a place where Eros and Death coexist, exposing the parody of existence, the corrosion of compulsive repetition, and the unsettling ease with which human beings become trapped by their own language.

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